Friends was too enamored of its premises-New York and youth and all the magic that might be found in the mingling of the two-to deliver on its own implied pessimisms. In 1994, in particular, those lines suggested that Friends might be a comedic rendering of Reality Bites, the Generation X touchstone that had premiered earlier that year-a story about young people attempting to eke some purpose out of a world that has given them none.įriends’ characters, in those early days, occasionally dressed in flannel beyond that, though, the show offered extremely little overlap with the film. The initial bars of the show’s ear-wormy theme song- So no one told you life was gonna be this way-suggest a certain disillusionment to come, a sitcom whose situations might poke fun not only at life’s absurdities, but also at its disappointments. The women may have correctly answered several of the quiz’s deep-cut questions about the guys’ childhoods and sexual experiences and personal idiosyncrasies, but there’s an aptness to the fact that, when it comes to Chandler, they are unable to answer a question so basic that it doubles, at this point, as a cliché: What does he do?Į ach episode of Friends engages in a cheerful act of bait and switch. That includes, quite often, Chandler himself. No one knows how Chandler Bing makes his living. Transponster was a punch line that had been, by Friends’ fourth season, years in the making-one of the jokes the show had been running pretty much since it made its premiere in September 1994. Monica and Rachel lose the game-and with it, their beloved apartment.
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And it is definitely not Chandler Bing’s job. That, Monica squeals in agony, is not even a word. it has something to do with transponding!” Monica, frantic, shouts. Rachel notes that Chandler carries a briefcase.
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“Oh gosh, it has something to do with numbers …” Rachel offers. With time running out and the game-and their home-on the line, Ross asks them a final question: “What is Chandler Bing’s job?”
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Her actual favorite movie is …?” / “ Weekend at Bernie’s!”īy the conclusion of the quiz’s lightning round, the women are down one point. His profession was …?” / “Space cowboy!” “According to Chandler, what phenomenon ‘scares the bejeezus’ out of him?” / “Michael Flatley, Lord of the Dance!” “Rachel claims this is her favorite movie …” / “ Dangerous Liaisons!” / “Correct. His name was …?” / “Maurice!” / “Correct. The correct answers quickly proliferate as friends who are basically family, these people know each other’s stories really, really well.
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The stakes (which have become, through a series of predictably zany events, incredibly high): If the women lose the game, they have agreed, they will trade apartments with Chandler and Joey. The topic: the minutiae of the friends’ lives. Before long, the debate devolves into a game-show-style quiz. I n an episode in the fourth season of Friends, Monica, Rachel, Chandler, and Joey find themselves engaged in an argument: Chandler and Joey, they claim, know Monica and Rachel much better than the women know them.